Assignments 2024 | The BPPA Exhibition ON TOUR

France's Caroline Garcia dives in an attempt to return the ball to Czech Republic's Marie Bouzkova during their women's singles tennis match on the fifth day of the 2023 Wimbledon Championships at The All England Tennis Club in Wimbledon, southwest London, on July 7, 2023.France's Caroline Garcia dives in an attempt to return the ball to Czech Republic's Marie Bouzkova during their women's singles tennis match on the fifth day of the 2023 Wimbledon Championships at The All England Tennis Club in Wimbledon, southwest London, on July 7, 2023. Photo - Adrian Dennis / AFP)

The best of British press photography has come to Port Sunlight in a new exhibition.

The British Press Photographers’ Association are bringing their annual exhibition, ‘Assignments 2024 – The BPPA Exhibition’, to the beautiful Bridge Cottage within historic Port Sunlight. It is the first time the exhibition has been presented in Merseyside and follows a successful showcase in London’s Southbank.

The exhibition is a showcase of the best 100 photographs from members of The BPPA, celebrating the best of press photography. Over the summer, a changing display of 50 photographs will take over Bridge Cottage, one of Port Sunlight’s most distinctive Arts and Crafts-style houses. The exhibition is presented in partnership with Port Sunlight Village Trust, the independent charity responsible for preserving and promoting the village.

Curated by five leading industry figures, this year’s exhibition covers stories from March 2023 through to the spring of 2024 and will feature everything from sports and entertainment through to politics and protest with royals, celebrities, and global events as seen through the eyes of the association’s photographers.

Founded in the mid-1980s, The BPPA has sought to promote and inspire the highest ethical, technical, and creative standards from within the industry, and once again is set to deliver an exhibition of photographs from the cutting edge of journalism.

Thanks to the support of Canon UK, Assignments 2024 is FREE to attend, with donations to Port Sunlight Village Trust welcome.

This year’s curators were photojournalist David Burnett, Reuters UK and Ireland Chief Photographer Suzanne Plunkett, photojournalist Steve Back, Press Association photographer Jane Barlow, and Getty Images sports photographer Justin Setterfield.

  • Assignments 2024 is FREE to attend.
  • The address is 10 Bridge St, Birkenhead, Wirral CH62 4UP
  • It’s open between Wednesday and Sunday from 10am to 4pm, between 8th June and 1st September 2024.

Assignments 2024 | The BPPA Exhibition opens in London

Photo: ©Elliott Franks

The British Press Photographers’ Association presents its annual ‘Assignments’ exhibition celebrating the best of press photography from its members.

Curated by five leading industry figures, this year’s exhibition covers stories from March 2023 through to the spring of 2024 and will feature everything from sports and entertainment to politics and protests with royals, celebrities, and global events as seen through the eyes of the association’s photographers.

Founded in the mid-1980s, The BPPA has sought to promote and inspire the highest ethical, technical, and creative standards from within the industry and once again is set to deliver an exhibition of photographs from the cutting edge of journalism.

  • Assignments 2024 is FREE to attend.
  • Open from 11am to 6pm daily between 24th May and 2nd June 2024.
  • Covers 5 floors of The Bargehouse on London’s Southbank, part of Oxo Tower Wharf.
  • Once again the BPPA bookshop will return during the exhibition.

The Bargehouse can be found on Google Maps here , you can use the post code SE1 9PH or on What3Words the location is lovely.spirit.voted

ASSIGNMENTS 2024 – THE CURATORS

We are delighted to reveal our panel of curators for Assignments 2024: The BPPA Exhibition will be David Burnett, Suzanne Plunkett, Steve Back, Jane Barlow and Justin Setterfield. We would like to take this opportunity to thank all our curators for being involved in this project and feel they are a true reflection of the industry in 2024. We look forward to seeing their final selections in London and Wirral later this year.

 

David Burnett

David Burnett (born Salt Lake City, Utah 1946) learned photography at the Olympus High School yearbook, and later shot pictures for the yearbook (mostly sports) at Colorado College (BA Poli Sci ’68.)  His career as a rocket scientist was thwarted by a not-to-be-named math professor who mumbled during Calculus class.   He began working as a freelancer for Time, and later LIFE magazine in the late 1960s, spending two years covering the war in Vietnam.   Following the demise of LIFE Magazine weekly in 1972, he joined the French photo agency Gamma and traveled the world for them before subsequently founding Contact Press Images, in New York in 1975.  His work for news magazines in Europe and the US has included politics, sports, and portraiture as well as the news.  He has covered every Summer Olympic Games since 1984, as well as the 2002, 2014, and 2018 Winter Games, and photographed every American President since John F Kennedy. His awards include ‘Magazine Photographer of the Year’ from the Pictures of the Year Competition, the ‘World Press Photo of the Year’, and the Robert Capa Gold Medal from the Overseas Press Club. He has produced photographic essays for Time, Fortune, GEO, Paris-Match and ESPN Magazine.  He served on the World Press Photo Jury in 1997, 1999, and chaired the Jury in 2011. In 2018 he was awarded the Sprague Award for Lifetime Achievement from the National Press Photographers Association.   He is the author of three photographic books: “Soul Rebel – An Intimate Portrait of Bob Marley”,   “44 Days : Iran and the Remaking of the World,” pictures taken during the 1979 Iranian Revolution, and the recently published “l’Homme Sans Gravité”  (“Man Without Gravity”)  a collection of five decades of sports pictures.

Suzanne Plunkett

Suzanne Plunkett is a veteran photojournalist who has worked as a staff photographer for the Associated Press in New York where she took one of the iconic photographs of the attacks at the U.S. World Trade on September 11, 2001. From 2003-2005, as Chief Photographer for the AP in Indonesia, Suzanne managed a team of five Jakarta-based photographers and a large network of freelancers following the Bali Bombings and during the Indian Ocean earthquake and tsunami. Suzanne worked as Bloomberg’s UK senior photographer before joining Reuters as a staff photographer in London for seven years, where she covered the 2012 Olympics, the Wimbledon Tennis Championships, London Fashion Week, one royal wedding (Will and Kate), two royal births (George and Charlotte) and spent many rainy days outside Downing Street and rainy evenings covering Premier League matches. Suzanne left Reuters in 2015 to teach and to freelance in London for clients that included the New York Times and CNN. She founded the UK chapter of Women Photograph – an organization that works to mentor and support the work of women and nonbinary visual journalists. Suzanne returned to Reuters last year and took on the role of chief photographer for the UK and Ireland.

Steve Back

Steve Back has spent 54 years in the business, including 30 years as a staff and freelance photographer on the Daily Mail. He can now be found most weeks on Downing Street covering politics. Steve said “It’s been an amazing journey which thankfully is still not over! Best job in the world.”

Jane Barlow

Jane Barlow has been a professional press photographer for over 20 years. After working for local papers and agencies including seven years with The Scotsman, Jane joined the Press Association in 2016 as a staff photographer covering news, politics, sport and features across Scotland and sometimes beyond.

Justin Setterfield

Justin Setterfield is a sports photographer for Getty Images covering events around the world with a focus on Football. He recently won the SJA Sports Photographer of the Year and SJA 2023 Football Portfolio awards.

ASSIGNMENTS 2024 – NOW OPEN

The British Press Photographers’ Association is pleased to announce that ASSIGNMENTS 2024 is now open for entries. The BPPA Exhibition will return to London’s Bargehouse on the Southbank in May 2024.
We can also now reveal that the touring leg of ASSIGNMENTS 2024 will be moving from Wales to The Wirral! Following its 10 day showcase in London the exhibition will travel to Port Sunlight in Wirral where it will be on display for 12 weeks. We are once again seeking the best of British Press Photography from our members.
  • Entries are open NOW until midnight on Friday 5th April 2024.
  • Each member can enter up to 10 photographs taken between 11th March 2023 and 5th April 2024 (inclusive).
  • You must be a full member of The BPPA to enter – if you aren’t you can join now.
  • Thanks to our generous sponsors at Canon UK it is FREE to enter although entrants whose work is selected will be asked to pay a fee of £50 per picture towards the cost of framing (capped at £100 max). Once the exhibition tour is complete, if you wish to keep your framed print there will be an opportunity to collect it.
  • Entries will be selected anonymously by a panel of curators drawn from across the industry.

Assignments Live – International Women’s Day

The British Press Photographers’ Association, in partnership with Sony Pro Imaging, U.K. & Ireland, are delighted to announce the return of our photography talks series ‘Assignments LIVE’. To kick off the new run we are excited to reveal our International Women’s Day panel talk at The Frontline Club on Friday 8th March. We are assembling leading professionals in the field to participate in a photography-focused discussion. Our aim is to delve into the evolving role of a Press Photographer, analysing the landscape of 2024 amidst challenges such as Artificial Intelligence, the decline in newspaper print sales, the growing demand for digital content, shifts in the political sphere, and international conflicts. We will also explore the pertinent question of whether press photography still maintains its significance. Spoiler alert: Yes, it unquestionably does! Join us as we uncover the reasons behind its enduring importance. BOOK TICKETS HERE

Chair:
Alexia Singh a Senior Lecturer on BA (Hons) Photojournalism and Documentary Photography at the London College of Communications,  a multimedia producer and photo editor with 20 years’ experience leading creative teams in the news and NGO sectors. During a 16 year career at Reuters News Agency she set up and managed picture desks in London, Paris, and Singapore and launched the Emmy award-winning Wider Image website for immersive storytelling. She has worked for Magnum Photos, WaterAid, DEC and Save the Children as a photo editor and producer.

Panel:
Sarah Lee – who started her professional career 24 years ago as a contract freelancer for the Guardian. She is still there. She’s also one of BAFTA’s regular photographers, and an ambassador for Leica. She recently shot a number of campaigns for Transport for London. And her book “West of West” (loosely focusing on the end of Route 66 in California) was published by Unbound early in 2020. The subject Sarah is most thrilled to have shot is Iris Murdoch.
Lucy Young – a highly versatile London-based photographer specialising in news and features work for national newspapers and magazines, with the bulk of her work commissioned by The Times and the Sunday Times. Her work ranges from capturing breaking events to intimate portraits of the people in the news. Lucy’s work has included the revolution in Libya, the work of Islamic Relief in rural Kenya and images of the Royal family and top political figures in the UK.
Chloe Knott – a freelance sports photographer based in London working across commercial and editorial assignments. After starting out in football with Danehouse Photography, she has worked across a wide range of worlds class events including The Wimbledon Lawn Tennis championships, The Rugby World Cup and Olympic events. Over recent years she has worked primarily under world renowned photographer Bob Martin for clients including The IOC, Sail GP, Manchester City FC and Wimbledon.
Helen Healy – a picture editor with over thirty years experience in the industry. She was the Head of Pictures at the Financial Times for seven years and has also worked at the Guardian, The Times and The Independent. She has seen the newspaper industry move from being a print to a mainly digital product. During her career she has been involved with covering many major news events, including 9/11, the wars in Ukraine and Iraq and Brexit.
Sarah Tilotta – who has worked as a photo editor and photographer for CNN in London since 2016, as part of an award-winning Visuals team covering news, politics, and features worldwide. Her publications as a picture editor and photojournalist have been recognised with Emmy, Webby, and Foreign Press Association awards, among others, on subjects including climate change, LGBTQI+ rights, and migration. Previously she held roles at NOOR Images in Amsterdam, and National Public Radio (NPR) in Washington, DC. She completed an MA in Photojournalism at the School of Visual Communication at Ohio University, and a BA in Visual Arts & Photography from Fordham University in New York.

Thanks must go to our fantastic sponsor Sony Pro Imaging, U.K. & Ireland who have enabled us to bring this event to you.

BOOK TICKETS HERE

The BPPA’s Statement on the use of Generative AI by photo agencies

The BPPA’s Statement on the use of Generative AI by photo agencies

The news that Shutterstock’s generative AI platform has been used to create and sell child-abuse content, as reported by Petapixel, will concern everyone.

Images of child abuse have been constructed from datasets built using millions of real photographs, without the consent of the photographers or those in the photographs. Photographers should be wary of lending their work to any agency that might use it in this way.

The BPPA is shocked and disappointed that Shutterstock made this possible. It harms our members when agencies market genuine photojournalism alongside such imagery.

We’ve taken time to consider how this reflects on the work of photojournalists more widely, and the impact this has on our members.

Generative AI images are fiction. Image manipulation of any sort is against The BPPA’s Code. Use of such content by news publishers harms them and their audiences.

Trustworthy photojournalism such as is produced by members of The BPPA every day requires direct documentation of events by skilled photographers working to the highest ethical standards. Anything short of that is dishonest.

Further reading:
https://thebppa.com/artificial-intelligence-press-photography-and-the-bppas-position/

Surrey Police pay out after photographer Peter Macdiarmid brings civil claim for false arrest.

A still from his own car dashboard camera shows Peter Macdiarmid having been arrested and handcuffed. ©Peter Macdiarmid

Back in September 2022 The BPPA posted a short piece on our website about the arrest on the 24th of August of multi-award winning photojournalist Peter Macdiarmid whilst covering a Just Stop Oil protest at Clacket Lane Services on the M25, south of London. He was handcuffed and detained for several hours by Surrey Police despite identifying himself as the holder of a UK Press Card.

The post reminded Police Officers that journalists have a right and a duty to report the news. Peter engaged the services of the law firm Bhatt Murphy who sent a letter of claim to Surrey Police. Eventually last December Surrey Constabulary offered to settle out of court, but they are not accepting liability and are refusing to apologise for their actions. The law firm acting on behalf of Surrey Police responded to Peter’s lawyers and denied that any of the Surrey officers did anything wrong, arguing that the situation that they found when they arrived was confusing and that they had acted within the law.

Peter said after the result: “I have been a news photographer for 37 years and have covered many events where tensions were running high and police were under great pressure, this Just Stop Oil protest was not like that – it was very calm and protesters were voluntarily giving themselves up for arrest when a police officer decided to detain me on suspicion of conspiracy to commit criminal damage. I was unable to persuade the arresting officer that I was a genuine working press photographer and my press card was ignored. Whilst I am glad to finally bring closure to this after many months, I am disappointed in the actions of Surrey police in handcuffing and arresting me and then dragging out the legal process during my civil claim. Another colleague was arrested in similar circumstances in December 2022 by Hertfordshire police whilst covering a climate protest, but after legal action was started the force very quickly admitted it ‘unlawfully arrested and violated the human rights of a photographer who was held while covering climate protests on the M25’ and the Chief Constable personally rang to apologise to the arrested photographer. The stark contrast between the actions of the two police forces is telling.”

Congratulations to Peter and his solicitors for their perseverance in pursuing this case – Handcuffing and arresting a press photographer is unacceptable behaviour by Surrey Police. We believe that the Police got it wrong on this occasion and that this is far from the first time this happened and it is likely to happen again. In the end Peter has received damages and his costs, but would rather have not had to go through a lengthy and stressful legal process to clear his name.

Launch of the Press Photographer of the Year 2023

The British Press Photographers’ Association are delighted to announce the return of the Press Photographer of the Year competition for 2023.

Created by press photographers for press photographers, this unique competition enables images submitted to act as a showcase for the outstanding and unprecedented press images taken for and used by the UK news media.

Our aim is to demonstrate once again that the still image burns the keenest, fastest impression on the public conscience and is the most effective way to show the world as it really is.

Photographs will be showcased on the website with the winners in each category being voted for by your peers in The BPPA. The winners of each category will then go forward for the chance to win The BPPA Press Photographer of the Year 2023.

The category and overall winners will receive a specially commissioned trophy and the winning photographs will be exhibited online.

For existing members of The BPPA the awards will be free to enter. The competition is also be open to non-members for a one-off entry fee of £25 for entry into all categories.

The categories are as follows:

  • News Photographer of the Year
  • Arts and Entertainment Photographer of the Year
  • Portrait Photographer of the Year
  • Royal Photographer of the Year
  • Business Photographer of the Year
  • Sport Photographer of the Year (action)
  • Sport Photographer of the Year (away from the action)
  • Essay Photographer of the Year
  • Young Photographer of the Year (under 25s either in full time photography employment or students studying photography at a further education institution)

Each entry will consist of a portfolio of up to six images taken between January 1st, 2023 and December 31st, 2023 – with the exception of the essay which will consist of ten images.

It’s a much tighter turnaround this year so get your entires ready!

  • Friday 12 Jan – open for entries to all categories
  • Friday 19 Jan – entries close at midnight

Shortly after that we will send out details of how to vote and when the results will be announced.

Please read the ‘How to Enter’ section carefully and send your entries in accordingly.

Remember that this competition is run entirely by volunteers giving their time for free. If you don’t edit your files properly and follow the instructions it doubles and trebles our admin time

 

The BPPA’s Press Photographer of the Year 2022 Results

We are delighted to announce that Reuters photographer Hannah McKay has been named as The BPPA’s Press Photographer of the Year for 2022. More than 2000 photographs taken throughout the year were entered into the 10 categories by photographers working in the UK and abroad. Members of the association were then invited to vote for they favourite entries in each category with members of the board then choosing the overall winning portfolio from the category winners..

Category Winners

  • Arts & Entertainment- Robert Perry
  • Business – Simon Hulme
  • Essay – Simon Townsley
  • Essay (death of a monarch) Victoria Jones
  • News – Hannah McKay
  • Portrait – Joann Randles
  • Royal – Max Mumby
  • Sport (action) – Ben Stansall
  • Sport (away from the action) – Eddie Keogh
  • Young Photographer – George Cracknell-Wright

Highly Commended

  • Arts & Entertainment – Julian Simmonds
  • Business – Danny Lawson
  • Essay – Kiran Ridley
  • Essay (death of a monarch) – Ben Stansall
  • News – Chris Furlong
  • Portrait – Chris Furlong
  • Royal – James Whatling
  • Sport (action) – Shaun Botterill
  • Sport (away from the action) – Justin Setterfield, Michael Steele and Neil Hall
  • Young Photographer – Molly Darlington

Comment from the Chair:

It’s been another great year for The BPPA’s competition with an increase in the number of entries on last year and also the number of members of our association having their say as to who should be named as winners of each category. The quality of the images is absolutely first class.

It felt that 2022 provided more breaking news and sporting events to focus on than ever before. With the Queen’s Platinum Jubilee in the summer and then the time following her passing later in the year, I feel that the galleries of photographs in the ‘Royal’ and ‘Photo Essay – Death of a monarch’ categories show how incredibly high the standard of press photography is in this country.

The war in Ukraine has demonstrated the skill and bravery of photographers and many of their images are displayed in our ‘News’ and ‘Essay’ categories. On the sporting front, The Commonwealth Games, World Gymnastics as well as The World Cup and Premier League provided just a few of the subjects on show in the sporting categories.

The Arts, Business and Portraits really do show how creative photographers can be. Also, I’m delighted that once again we have a winner from the regional press as well as freelance winners based in Scotland and Wales representing press photography across the country.

I’d like to thank everyone for entering, judging and to the team at The BPPA for their hard work to run this competition on behalf of press photographers.

Paul Ellis, Chair, The BPPA

We would like to thank our friends at Canon for their continued support

Just Stop Oil Arrests

Just Stop Oil Arrests

Two press photographers and a documentary film maker were arrested whilst covering protests by the campaigning group Just Stop Oil on Monday 7th November. 

Tom Bowles and Ben Cawthra, both members of The BPPA along with BECTU member Rich Felgate were handcuffed and removed from two separate locations by Hertfordshire Police. A member of The BPPA’s Board has spoken to both photographers and, based on their accounts, we can report the following:

Tom and Rich were detained by the police at 10.44am, accused of suspicion of conspiracy to cause a nuisance. Tom wasn’t given a chance to offer an explanation for being at the location, nor was his UK Press Card acknowledged.

He was taken into custody and held until 1.20am the following morning and was released with no further action. Whilst in custody and speaking to his solicitor he found out that his house had been searched. This turned out to be by three male officers from St Albans. His wife and 14 year old daughter were both anxious about what had happened as they were woken to be confronted by this. His release papers said that he had been detained as he had been “Intentionally/recklessly causing a public nuisance.”

During his custody Tom repeatedly asked that his UK Press Card should be verified and when they eventually complied they informed him that his card had ‘failed verification’ although the police officers involved did not ask for his verification PIN. We have since checked and his card would have passed had they used his PIN. We have raised this with the UK Press Card Authority.

Ben’s experience was very similar. He was arrested at 8.15am after showing his press card, and having broken no law was still placed in custody. On arrival at the station he was told that his partner would be called but this didn’t happen. He had to push them to call her and they finally complied around 3pm – at approximately the same time that he had his first communication with an investigating officer. It wasn’t until his lawyer contacted them that things started to move along, which he believes was around 5pm. He was finally released at 11.30pm.

This isn’t the first time in recent weeks that this has happened. The arrest of Peter Macdiarmid covering a similar protest is still an ongoing matter.

The BPPA is deeply concerned that police forces are ignoring the UK Press Card and, more worryingly, are ignorant of what it is and what it represents. By arresting news gatherers they are going against a long-standing tradition of allowing the media to independently report the news. We sincerely hope that this is out of ignorance of how to identify members of the press and not a new policy of blinding society.

Still image taken from a video courtesy of Rich Felgate showing press photographer Tom Bowles being arrested by a member of the Hertfordshire Police Force minutes before Rich was himself arrested.

UPDATE: We have now written to the Home Secretary, various Members of Parliament and other senior figures who have the power and/or influence to help make sure that this doesn’t happen again. See the letter here