Announcing the Curators for ‘Women’

We would like to introduce the seven fantastic curators we have lined up to select their favourite images from those submitted to ‘Women’: a photographic celebration by BPPA members of women across the globe for International Women’s Day 2021 on 8th March.

In the launch year of what promises to be a fabulous new exhibition, the BPPA are looking for images telling the stories and achievements of women and girls for an online exhibition, which remains open for entries until midnight on Sunday 14th February

www.women.thebppa.com


Fiona Shields – The Guardian Head of Photography

Fiona has over twenty years’ picture editing experience across a range of newspaper titles. She was picture editor of the Guardian for ten years before taking up the role of Head of Photography for the Guardian News and Media Group. 

Throughout her career, Fiona has been involved in the coverage of some of the most historic news stories of our time from the current global pandemic to the events surrounding 9/11 and the subsequent terror attacks in London and across Europe, conflicts around the world from Bosnia to Iraq and Afghanistan, the revolution of the Arab spring, large scale natural disasters such as the earthquakes in Haiti, tsunamis in southern Asia, famine in Sub-Saharan Africa and the humanitarian crises resulting from the growing refugee numbers across the globe.

Fiona also delivers talks at photo festivals, mentors students of photojournalism and has enjoyed judging The World Press Awards, the Sony World Photography Awards, The Taylor Wessing Portrait Prize and the Renaissance Photography Awards to name a few, has joined the panel for the Carmignac Photojournalism Award and is a regular nominator for the prestigious Prix Pictet Prize.


Gao Rongguo

Born in 1984 in Binzhou,in China’s Shandong province, Gao Rongguo graduated from the Central Academy of Fine Arts in Beijing in 2012, majoring in photography.


Gao is now an artist based in Beijing and his work has been exhibited internationally, with venues including National Portrait Gallery, Quai Branly Museum, CAFA Art Museum, Chongqing Art Museum, Today Art Museum, Dong Gang Museum of Photography, Sotheby’s gallery, Changjiang Museum of contemporary Art and Beijing Mingsheng Art Museum.


Gao Rongguo’s work has been featured in numerous publications including TIME, The Huffington Post, Daily Mail, VANITY FAIR, La Repubblica, Esquire, Feature Shoot and Rheinische Post Online.


Jakki Moores

Whilst studying Photography at Richmond College Jakki Moores worked for Nikon UK and on graduating became the Head of Nikon Professional Service and worked with some of the UK’s best photographers, supporting them at global events where she became became passionate about imaging and technology. First the transition from film to digital and then the requirement to send images around the world in seconds got Jakki hooked, who then moved into account management and corporate sales.

Now at Canon UK Jakki still specialises in News and Sport, working as part of the pro-business team where her customers range from Global Agencies, Media groups, freelancers and the next generation.

“It’s such an exciting and evolving industry to be involved in – with outstanding images at the core. The pictures we see every day still always amaze me!”, says Jakki.


Jane Sherwood

Jane Sherwood is the News Editor, EMEA, at Getty Images and is part of a team that handles Getty Images editorial news output on their subscription wire service. She says ” I am proud to work at a wire agency that is held in such high esteem among photographers and clients alike. The team has a collective integrity in news gathering and the talent of our photographers sets us apart”.

Jane began her career nearly 30 years ago as a receptionist at Rex Features and progressed, through a series of moves around the industry including the picture desks of the Daily Mail, News of the World and Daily Express, to becoming the Picture Editor of the Sunday Express newspaper.  Jane left in 2015 for Getty Images saying, ” I wanted to work where pictures were still being created and invested in – where photography was paramount”.

“I am thrilled to be part of the curating team for the BPPA photography exhibition celebrating International Women’s Day” says Jane. “Until women achieve true equality, highlighting work by and for women in all professions is necessary and essential”.


Milica Lamb

An industry veteran, Milicia Lamb has worked in press photography for many years.

Milicia started her career in image sales before graduating to the editorial side where she was able to work more closely with photographers. After working for News Team International as Head of London Bureau, commissioning photographers and managing assignments,  Milicia went on to work at EPA where she ran the UK and Irish service before joining the Press Association (PA).

Milicia was appointed Picture Editor for the PA in 2012 and in 2015 became Head of International and Entertainment at PA Images where amongst her responsibilities she managed the entertainment photography for the PA Wire alongside the Empics Entertainment service.

Milicia left PA Images in 2020.


Rebecca Naden

Now based back in her homeland of Pembrokeshire, Rebecca Naden covers major news, sport and features for the global agency Thomson Reuters, where she also loves to photograph wildlife – a pull Rebecca says she can’t resist, despite the sometimes extreme weather conditions.


Thirty odd years ago, Rebecca was told “It’s a man’s profession Rebecca, think on because it’s not for a girl”. But thankfully she had supportive English and History teachers who promoted and encouraged Rebecca to apply to The National Council for the Training of Journalists for the ‘pre- entry course’ – she was accepted and her hugely successful career in press photography began.


Rebecca was the first female photographer to join the Birmingham Post and Mail Group in 1977 and the first female photographer to join The Press Association in 1987, where she spent 25 years as a staff photographer before moving to Reuters in 2012 – winning the 1993 Royal Photographer of the Year and 2007 Picture Editors’ Award – Sports Picture of the Year along the way.


Highlights of Rebecca’s career to date are numerous and include being the only British photographer on Prime Minister Margaret Thatcher’s plane for her tour to Belgium, Luxembourg and Spain; flying to the White House to photograph President Clinton; photographer on the Royal Tour to Malta by HM the Queen and Prince Philip. Rebecca has regularly covered the major sporting events, including the Olympic Games in Atlanta, USA and Premier League, FA Cup and Champions League finals including the historic Liverpool v AC Milan match in Istanbul.


“I’m grateful to all those who helped me get started and to the many generations of photographers and journalists who have supported my professional career”, says Rebecca. “Thankfully the glass ceiling has largely gone and now there are exciting career opportunities in professional photography available to all, irrespective of gender”.


Rob Pinney

Rob Pinney is a photographer and the editor of Point.51, a print magazine for long-form journalism and original photography from across Europe. 

As a photographer, Rob’s work is divided between press work and longer-term personal projects.

After going freelance in 2015, Rob worked extensively in Calais documenting the “Jungle” camp and the asylum seekers who lived there, as well as the town itself. His photographs from Calais have since been shown in London, New York and St Petersburg, and culminated in a long-form feature – Calais Belle Ma Ville – about the town’s long relationship with migration, which was published in the first issue of Point.51.


Get your entries sent in!

If you want to take part you’d better hurry as you only have until midnight on Friday 12th February to submit your entry : women.thebppa.com

WOMEN

WOMEN 2021 Exhibition Opens for Entries

The British Press Photographers’ Association is delighted to announce that WOMEN 2021 is now open for entries.

The theme of the exhibition is a photographic celebration of women and girls for International Women’s Day 2021 on 8th March and we are looking for images telling the stories and achievements of women and girls.

Here is a very brief rundown but please do read the rules and how to enter (click here for rules and entry procedures)

1. You must be a member of the BPPA – if you aren’t you can join now

2. You can submit up to five pictures.

3. There is no entry fee

3. Pictures can be taken on any date up to and including the closing date of the exhibition

4. Please ensure that any images entered are fully compliant with the Editors’ Code of Practice and that appropriate permission has been sought for images of minors.

5. The curators and anyone involved in the curation process can’t enter and images will be blind curated

6. No image manipulation is allowed

7. It’s your copyright – but we need to be able to use the images for the exhibition to work.

8. If you don’t want us to use your pictures on social media that’s cool – just say so when you enter.

9. Please do read the tech specs and entry procedure before entering.

10. Deadline is midnight on 14th February 2021

Click here for rules and entry procedures

Sally Soames 1937-2019

Sally Soames and fellow members of The Press Photographers Association (which became The BPPA) at their first London exhibition at The Barbican. Photo ©Brian Harris.

Sally Soames who worked as a photographer for The Sunday Times for more than three decades died aged 82 at her home in north London on the 5th of October 2019.

Sally, like many of her generation had no formal training as a photographer, starting out by winning a photography competition run by a London evening paper. She was noticed by the Observer where she contributed work during the 1960’s before being taken onto the Sunday Times before the decade was out. She stayed on her beloved paper for more than 32 years working for esteemed editor Harry Evans and design maestro Edwin Taylor, reluctantly retiring due to problems with her knees and as black and white analogue film photography gave way to colour and subsequently digital image making.

Sally told me in the early 90’s that she was scouring London and buying up all the Nikon FM2 film cameras that she could find once she had been told that her favourite camera wasn’t going to be made anymore. I don’t think Sally and modern digital technology would have got on together, so a good time to call it a day.

Sally was a pure image maker, the eyes were everything, get the eyes sharp and you will have your reader, she said to me once. She would talk her subject into submission if he or she proved to be reluctant to have their photograph taken. She charmed and cajoled, often writing to her subject in advance of the photography session as well as reading their work if an author, or watching their films or plays if an actor. She saw herself and her work as the equal of the writer and the written word when covering an interview, not for Sally the three minute photo-op session dictated by a hovering PR, which is now seen to be the norm, Sally demanded and got as much time as she needed to produce her work.

Although Sally did specialise in portrait work for the paper, producing some of the most eye catching imagery to grace the pages of any newspaper in the land she was also a dab hand on the political scene. I personally worked alongside her on many occasions, Sally on the ST and myself on The Times at many a political conference during the 70’s through the 80’s. I was always surprised to see her visual summation of the week in her paper, normally a quiet reflective moment caught without fuss, just a fine quality image that would make you think a while.

I also worked alongside Sally in Israel whilst covering a general election in June 1981 featuring Menachem Begin and Moshe Dyan, both of whom she had entré to with one phone call. Her portrait of General Dyan on the Golan Heights ranks, IMHO, as one of her finest images. She introduced me around to those that mattered and arranged passes and some access to this then relative green horn, but that was just so typical of Sally, she would help just about anyone but especially new guys and gals on the block…there is a long line of news photographers working now who all owe Sally a great debt of personal gratitude, myself included.

 She had a heart felt affinity with Israel, being born Jewish (born Winkleman), and when based there during the Yom Kippur War between Israel and a coalition of Arab States led by Egypt and Syria in October 1973 she was recalled by Kelvin Brodie her Sunday Times picture editor (and a former top flight news photographer) as it was deemed by the ST management as being too dangerous for Sally to stay after the death of ST correspondent Nick Tomalin. The group of Arab commandos who stormed the beach outside her Tel Aviv beach front hotel made the point more emphatically. She returned to Israel a week later to cover the km101 peace talks.

Sally may have been slight of frame and stature but she was strong and a fighter…Sally never ever gave up, she always found a way to achieve what she wanted, with a gushing smile, a hand hold, a squeeze and it must be said a fair bit of feminine schmoozing…Sally really was one of those unique individuals who was a friend to many, a mentor to many more and a bloody good photographer…oh, and a really nice woman. RIP Sally.

Brian Harris © 2019