The BPPA 2020 Press Photographer of The Year

Photo: ©Lindsey Parnaby |

In an email message to members of the association, Chair Lindsey Parnaby wished everyone entering the competition the best of luck. He wrote:

“2020 was undoubtedly an incredible year for the press photographer. The impact of Covid19 changing the way we live our everyday lives for the foreseeable future as public events were forced to close their doors and socialisation banned under successive lockdowns. The NHS becoming the nation’s saviour at it’s darkest time. Brexit. George Floyd’s death and the global Black Lives Matter campaign. Captain Tom Moore’s epic £30m charity walk. Marcus Rashford’s campaign to end child food poverty. Sports being played behind closed doors and so many more news events in the space of just 366 days.

The Board deliberated for a long time whether now was the right time to hold an awards competition after many of our members had themselves suffered lack of work throughout 2020, but with such exceptional circumstances and as an organisation representing press photographers, we felt it would be an insult to those who were fortunate to work and to press photography if we didn’t acknowledge the exceptional images that have been achieved throughout 2020.”

The competition is being sponsored by Canon UK and Pixelrights and the awards website is now on line at https://thebppa.pixelrights.com

Announcing the Curators for ‘Women’

We would like to introduce the seven fantastic curators we have lined up to select their favourite images from those submitted to ‘Women’: a photographic celebration by BPPA members of women across the globe for International Women’s Day 2021 on 8th March.

In the launch year of what promises to be a fabulous new exhibition, the BPPA are looking for images telling the stories and achievements of women and girls for an online exhibition, which remains open for entries until midnight on Sunday 14th February

www.women.thebppa.com


Fiona Shields – The Guardian Head of Photography

Fiona has over twenty years’ picture editing experience across a range of newspaper titles. She was picture editor of the Guardian for ten years before taking up the role of Head of Photography for the Guardian News and Media Group. 

Throughout her career, Fiona has been involved in the coverage of some of the most historic news stories of our time from the current global pandemic to the events surrounding 9/11 and the subsequent terror attacks in London and across Europe, conflicts around the world from Bosnia to Iraq and Afghanistan, the revolution of the Arab spring, large scale natural disasters such as the earthquakes in Haiti, tsunamis in southern Asia, famine in Sub-Saharan Africa and the humanitarian crises resulting from the growing refugee numbers across the globe.

Fiona also delivers talks at photo festivals, mentors students of photojournalism and has enjoyed judging The World Press Awards, the Sony World Photography Awards, The Taylor Wessing Portrait Prize and the Renaissance Photography Awards to name a few, has joined the panel for the Carmignac Photojournalism Award and is a regular nominator for the prestigious Prix Pictet Prize.


Gao Rongguo

Born in 1984 in Binzhou,in China’s Shandong province, Gao Rongguo graduated from the Central Academy of Fine Arts in Beijing in 2012, majoring in photography.


Gao is now an artist based in Beijing and his work has been exhibited internationally, with venues including National Portrait Gallery, Quai Branly Museum, CAFA Art Museum, Chongqing Art Museum, Today Art Museum, Dong Gang Museum of Photography, Sotheby’s gallery, Changjiang Museum of contemporary Art and Beijing Mingsheng Art Museum.


Gao Rongguo’s work has been featured in numerous publications including TIME, The Huffington Post, Daily Mail, VANITY FAIR, La Repubblica, Esquire, Feature Shoot and Rheinische Post Online.


Jakki Moores

Whilst studying Photography at Richmond College Jakki Moores worked for Nikon UK and on graduating became the Head of Nikon Professional Service and worked with some of the UK’s best photographers, supporting them at global events where she became became passionate about imaging and technology. First the transition from film to digital and then the requirement to send images around the world in seconds got Jakki hooked, who then moved into account management and corporate sales.

Now at Canon UK Jakki still specialises in News and Sport, working as part of the pro-business team where her customers range from Global Agencies, Media groups, freelancers and the next generation.

“It’s such an exciting and evolving industry to be involved in – with outstanding images at the core. The pictures we see every day still always amaze me!”, says Jakki.


Jane Sherwood

Jane Sherwood is the News Editor, EMEA, at Getty Images and is part of a team that handles Getty Images editorial news output on their subscription wire service. She says ” I am proud to work at a wire agency that is held in such high esteem among photographers and clients alike. The team has a collective integrity in news gathering and the talent of our photographers sets us apart”.

Jane began her career nearly 30 years ago as a receptionist at Rex Features and progressed, through a series of moves around the industry including the picture desks of the Daily Mail, News of the World and Daily Express, to becoming the Picture Editor of the Sunday Express newspaper.  Jane left in 2015 for Getty Images saying, ” I wanted to work where pictures were still being created and invested in – where photography was paramount”.

“I am thrilled to be part of the curating team for the BPPA photography exhibition celebrating International Women’s Day” says Jane. “Until women achieve true equality, highlighting work by and for women in all professions is necessary and essential”.


Milica Lamb

An industry veteran, Milicia Lamb has worked in press photography for many years.

Milicia started her career in image sales before graduating to the editorial side where she was able to work more closely with photographers. After working for News Team International as Head of London Bureau, commissioning photographers and managing assignments,  Milicia went on to work at EPA where she ran the UK and Irish service before joining the Press Association (PA).

Milicia was appointed Picture Editor for the PA in 2012 and in 2015 became Head of International and Entertainment at PA Images where amongst her responsibilities she managed the entertainment photography for the PA Wire alongside the Empics Entertainment service.

Milicia left PA Images in 2020.


Rebecca Naden

Now based back in her homeland of Pembrokeshire, Rebecca Naden covers major news, sport and features for the global agency Thomson Reuters, where she also loves to photograph wildlife – a pull Rebecca says she can’t resist, despite the sometimes extreme weather conditions.


Thirty odd years ago, Rebecca was told “It’s a man’s profession Rebecca, think on because it’s not for a girl”. But thankfully she had supportive English and History teachers who promoted and encouraged Rebecca to apply to The National Council for the Training of Journalists for the ‘pre- entry course’ – she was accepted and her hugely successful career in press photography began.


Rebecca was the first female photographer to join the Birmingham Post and Mail Group in 1977 and the first female photographer to join The Press Association in 1987, where she spent 25 years as a staff photographer before moving to Reuters in 2012 – winning the 1993 Royal Photographer of the Year and 2007 Picture Editors’ Award – Sports Picture of the Year along the way.


Highlights of Rebecca’s career to date are numerous and include being the only British photographer on Prime Minister Margaret Thatcher’s plane for her tour to Belgium, Luxembourg and Spain; flying to the White House to photograph President Clinton; photographer on the Royal Tour to Malta by HM the Queen and Prince Philip. Rebecca has regularly covered the major sporting events, including the Olympic Games in Atlanta, USA and Premier League, FA Cup and Champions League finals including the historic Liverpool v AC Milan match in Istanbul.


“I’m grateful to all those who helped me get started and to the many generations of photographers and journalists who have supported my professional career”, says Rebecca. “Thankfully the glass ceiling has largely gone and now there are exciting career opportunities in professional photography available to all, irrespective of gender”.


Rob Pinney

Rob Pinney is a photographer and the editor of Point.51, a print magazine for long-form journalism and original photography from across Europe. 

As a photographer, Rob’s work is divided between press work and longer-term personal projects.

After going freelance in 2015, Rob worked extensively in Calais documenting the “Jungle” camp and the asylum seekers who lived there, as well as the town itself. His photographs from Calais have since been shown in London, New York and St Petersburg, and culminated in a long-form feature – Calais Belle Ma Ville – about the town’s long relationship with migration, which was published in the first issue of Point.51.


Get your entries sent in!

If you want to take part you’d better hurry as you only have until midnight on Friday 12th February to submit your entry : women.thebppa.com

WOMEN

WOMEN 2021 Exhibition Opens for Entries

The British Press Photographers’ Association is delighted to announce that WOMEN 2021 is now open for entries.

The theme of the exhibition is a photographic celebration of women and girls for International Women’s Day 2021 on 8th March and we are looking for images telling the stories and achievements of women and girls.

Here is a very brief rundown but please do read the rules and how to enter (click here for rules and entry procedures)

1. You must be a member of the BPPA – if you aren’t you can join now

2. You can submit up to five pictures.

3. There is no entry fee

3. Pictures can be taken on any date up to and including the closing date of the exhibition

4. Please ensure that any images entered are fully compliant with the Editors’ Code of Practice and that appropriate permission has been sought for images of minors.

5. The curators and anyone involved in the curation process can’t enter and images will be blind curated

6. No image manipulation is allowed

7. It’s your copyright – but we need to be able to use the images for the exhibition to work.

8. If you don’t want us to use your pictures on social media that’s cool – just say so when you enter.

9. Please do read the tech specs and entry procedure before entering.

10. Deadline is midnight on 14th February 2021

Click here for rules and entry procedures

The Premier League and Project Restart: The BPPA Matchday draws for Pool C

The BPPA conducted draws for the two photo positions allocated to pool C for the following matches. For each match the entries are listed followed by the drawn names:

Bournemouth v. Crystal Palace (20.06)

  • 1. Action Plus Images.
  • 2. Back Page Images.
  • 3. Coloursport.
  • 4. Copa Foto.
  • 5. IPS Photo Agency.
  • 6. Matchday Images.
  • 7. TGS.

Successfully drawn:

  • 1. Action Plus Images.
  • 2. Matchday Images.

Newcastle United v. Sheffield United (21.06)

  • 1. Ian Horrocks.
  • 2. Pro Sports.
  • 3. Coloursport.
  • 4. News Images.
  • 5. MI News.
  • 6. Sportpix.
  • 7. Back Page Images.
  • 8. Media Solutions.
  • 9. Camerasport.

Successfully drawn:

  • 1. Ian Horrocks.
  • 2. Sportpix

The BPPA would like to thank the Premier League, Data Co and the Premier League clubs for their help and co-operation in supporting the small agencies and freelance photographers during the return of football to the country in Project Restart

The Premier League and Project Restart: The BPPA Matchday draws for Pool C

The BPPA conducted draws for the two photo positions allocated to pool C for the following matches. For each match the entries are listed followed by the drawn names:

Brighton & Hove Albion v. Arsenal (20.06.20)

  • 1. Pro Sport Images.
  • 2. Telephot Images.
  • 3. Back Page Images.
  • 4. Prime Media.
  • 5. Mark Pain Photography.
  • 6. Propaganda.
  • 7. SportImage.

Successfully drawn:

  • 1. Mark Pain Photography.
  • 2. Propaganda.

Norwich City v. Southampton (19.06.20)

  • 1. Pro Sports Images.
  • 2. MB SOlutions Ltd.
  • 3. Matchday Images Ltd. 
  • 4. Focus Images.
  • 5. Coloursport.
  • 6. Back Page Images.
  • 7. Action Plus Sports.

Successfully Drawn:

  • 1. Focus Images.
  • 2. Sports Images.

Watford v. Leicester 20.06.20

  • 1. Offside Sports Photography.
  • 2. Coloursport.
  • 3. Prime Media Images.
  • 4. SportImage.
  • 5. Wired Photos.
  • 6. Pro Sports Images.

Successfully drawn:

  • 1. Coloursport.
  • 2. SportImage.

Manchester City v. Burnley (22.06.20)

  • 1. AMA Sports Images.
  • 2. Anthony Devlin Photography.
  • 3. Back Page Images.
  • 4. Coloursport.
  • 5. Danehouse Photography.
  • 6. JMP UK.
  • 7. Magipix Ltd.
  • 8. News Images.
  • 9. Offside Sports Photography.
  • 10. Propaganda.
  • 11. SportImage.

Successfully drawn:

  • 1. SportImage.
  • 2. Coloursport.

Tottenham Hotspur v. Manchester United draw:

29 names were in the draw:

  • 1. Action Foto Sport.
  • 2. Action Plus.
  • 3. AH Pix.
  • 4. AMA Sports Photo Agency.
  • 5. Andrew Orchard.
  • 6. Back Page Images.
  • 7. Camerasport.
  • 8. Coloursport.
  • 9. Copa Foto.
  • 10. Danehouse Photography.
  • 11. Focus Images.
  • 12. Frozen In Motion.
  • 13. IK IMages.
  • 14. IPS Photo Agency.
  • 15. Mark Pain.
  • 16. Matchday Images.
  • 17. MB Media Solutions.
  • 18. MI News & Sports.
  • 19. Paul Marriott Photography.
  • 20. Picstaff.
  • 21. Pinnacle.
  • 22. Prime Media Solutions.
  • 23. Pro Sport Images.
  • 24. SportImage.
  • 25. Telephoto Images.
  • 26. TGS Photo.
  • 27. The Newsline.
  • 28. UK Sports Pics.
  • 29. Visionhaus.

The two successful names drawn from the bag were:

  • 1. AMA Sports Photo Agency.
  • 2. Picstaff. **

**Picstaff later withdrew, leaving a redraw for their position. The successful redraw name was Visionhaus.

The BPPA would like to thank the Premier League, Data Co and the Premier League clubs for their help and co-operation in supporting the small agencies and freelance photographers during the return of football to the country in Project Restart

The Premier League and Project Restart: The BPPA Matchday draws for Pool C

The BPPA conducted a draw for the two photo positions allocated to pool C on 16th June 2020. This draw was for the Manchester City v. Arsenal match at the Etihad stadium in Manchester on 17th June 2020. Fourteen names were supplied, from which, two were drawn:

  • Action Plus
  • AMA Sports Photo Agency 
  • Anthony Devlin Photography
  • BPI
  • Coloursport
  • Danehouse Photography
  • Fantasista
  • JMP UK
  • Magipix Ltd
  • News Images
  • Offside SPorts Photography
  • Pro SPorts Images Ltd
  • Propaganda
  • Sport Image

The two successful in the draw were:

  • Anthony Devlin Photography
  • Magipix Ltd. 

The BPPA would like to thank the Premier League, Data Co and the Premier League clubs for their help and co-operation in supporting the small agencies and freelance photographers during the return of football to the country in Project Restart

Important notice for members of The BPPA

Whilst the world is experiencing turbulent times due to the Covid 19 pandemic The BPPA will try to offer as much support and advice to our members as we can.

At a specially convened Board Meeting there was a unanimous vote to offer all members the option of taking a payment holiday from their membership subscriptions for an initial period of three months.

We don’t want anyone to think that they have to give up their membership of the association just because their work has dried up and their income has been drastically reduced.

If you are experiencing, or are about to experience, any financial hardship because of the pandemic then please email [email protected] and we will suspend your payments whilst leaving your membership status as “paid” so that you can still make use of any and all membership benefits.

Best wishes
The BPPA Board

Assignments Live: Alan Crowhurst followed by John Downing’s Legacy

Hilighting this talk that is open to BPPA members and non-members.  

First up is Alan. Alan Crowhurst is an award-winning horseracing photographer contracted to Getty Images. His life has always involved racing, his grand father was a racecourse bookmaker. In this interview Alan talks about growing up in Brighton, taking up photography, his passion for his profession, what it takes to get an award-winning ‘Crowhurst’ shot and his hopes for the future. 

Image: Alan Crowhurst

Following Alan, John Downing’s son Bryn Downing will present “Behind the Lens” , a 30 minute film on his father John Downing. 

After the film a slideshow of John’s images alongwith the stories to go with them told by Hazel Thompson . Hazel has known John for 20 years, working with him on his “Legacy” book. 

This will be a great evening … and is FREE!!!

https://www.eventbrite.co.uk/e/assignments-live-alan-crowhurst-followed-by-john-downings-legacy-registration-78086253085

BPPA Response to Pride in London

This year, Press Photographers that applied for accreditation to photograph the Pride In London parade and celebrations received the following email:

Changes to accreditation in 2019:

Pride in London have been working with our agency partners to review the security arrangements for Pride in London 2019. We’ve made a number of changes to the parade route which will enable us to make the parade more secure. This includes significantly reducing the numbers of people with access to the route itself.

Your media wristband gives you priority fast track access to the public areas at the stages. It does not give backstage access
There is no access inside the parade barriers along the parade route or to the form up area.”

This is a change over previous years. We have sent the following letter in response:

‘Dear Pride London,

The BPPA would like to raise our grave concerns regarding Pride London’s proposed plans to severely impede media access to this year’s parade.

Photographers are accredited to the parade but not allowed to photograph the parade itself from start to finish.

We cannot see the sense in this. With an estimated one million attendees, this would be considered a major news event and very worthy of extensive coverage by all national and international media organisations and barring access will inhibit global coverage and ultimately, interest in the annual Pride event.

Moreover a parade which promotes freedom of the individual and freedom of expression should not be restricting the freedom of the press.

Finally we cannot see there is any necessity to alter previous year’s arrangements in this way.

We, The BPPA therefore urge you to reconsider before the event and look forward to hearing from you as soon as possible. Thank you.’

​UPDATE FROM PRIDE LONDON
​Press that have requested accreditation should have recived an updated email that includes the following information:

Following a letter from the BPPA and listening to the concerns we have reviewed our decisions and have confirmed an approach that ensures Pride is open for all, while ensuring the event stays safe and secure.

As such, we are pleased to confirm that you have been approved for:

1 pass(es)

This wristband gives you access to parade form up and along the parade route if you are carrying a professional camera.

As you may have noted in the media pack, there is no front of parade photocall this year. We will also have an area for photos near Piccadilly Circus and our team can advise on its location tomorrow should you want a fixed spot to photograph from.

We followed this up, writing to Pride London to confirm the position and received the following:

“Dear BPPA,

Thank you for your e-mail. I can confirm this is correct.

This year we revised our media accreditation process because of its impact on the speed and security of the parade. Not an easy decision but it is an operational choice based on ensuring 30,000 people can pass through London safely and securely.

Following your letter we urgently reviewed our decision with our production partner to see what possibilities there are. We have been contacting people directly who are impacted.

As the third largest event in London we try our best to accommodate the complexities of organising 30,000 people through the streets and it was never our intention to inhibit coverage and deny freedom of expression. I wanted to thank you and the BPPA for bringing this to our attention, and I hope this resolves the matter.

Pride in London

We would like to thank Pride in London for listening to all the organisations that voiced concerns and for changing your policy.

We wish everyone a Happy Pride 🌈