The Job Magazine

Metropolitan Police Media Guidelines

in Current Affairs, Education, Journalism, Law, Photography, Photojournalism by thebppa

  There have been a number of versions of the media guidelines from many different police forces over the last dozen years. We have previously made the version developed with The BPPA, the NUJ and the CIoJ available on our website and, following the publication of an article quoting the Met’s guidelines verbatim in their in-house magazine “The Job” we are

thebppaMetropolitan Police Media Guidelines
Mikael Buck

The one on the left is a snapper…

in Current Affairs, Education, Features, Open letter, Opinion, Photography, Photojournalism, Press Photography, The BPPA by Mikael Buck

On the left we have a Snapper, it’s a type of fish, on the right we have a photographer – please learn the difference. Would you like to demean everything I have achieved in my career with one word? Great! Then just call me a snapper – you won’t be the first or the last person to do it. With

Mikael BuckThe one on the left is a snapper…
Alan Davidson/The Picture Library Ltd

Insurance and what to look for

in Current Affairs, Education, Features, Photography, Press Photography by thebppa

  Let’s start off by stating the obvious – professional photographers tend to own a lot of expensive gear. Most photographers have insurance for that expensive gear and one of the most common queries that you’ll see on discussion forums frequented by those professionals is about which insurer is the best/cheapest. Insurance is proof of two of life’s most enduring truths:

thebppaInsurance and what to look for
Phil Clarke-Hill

Mentoring young photographers

in Current Affairs, Education, Ethics, Features, Journalism, Love, Photojournalism, Press Photography, The BPPA by Stuart Freedman

It goes without saying that the business is now unrecognisable from the one that I entered in the early 1990s. Then, the structure was relatively linear and there was a clear defining path to an editorial career. Now, every photographer has to be a brand and use social media to shout their wares and tout their abilities. It isn’t even

Stuart FreedmanMentoring young photographers