For anyone who remembers that far back, Neil Turner’s www.dg28.com website started out as a vehicle for him to post updates about the work that he was doing along with some technique examples that he called “photographer education”. Well, that was in 1999 and a couple of years later he started doing occasional workshops and lectures about his use of
Marketing Essentials for Professional Photographers
You are a photographer, you know how to take photos, you have a vision but have you ever asked yourself the following questions.. “How do I find clients?” “I got undercut by a photographer offering to do the job for £100” You probably all think “LinkedIn is useless; I have been on it for six months and haven’t had a
DACS – It’s your money – Act Now
Every year The Design and Artists’ Copyright Society (DACS) distributes the fees paid by libraries and schools and so forth for copying copyright work – including photographs. Basically that means they licence secondary uses of your work that you couldn’t possibly deal with on a day to day basis – and you are entitled to a share of the income! There
FREE MONEY!!!!
Ok – now we have your attention. Every year DACS ( The Design and Artists Copyright Society) collects millions of pounds worth of royalties due for use of our photographs from libraries, universities and other organisations. It is payment for lending books, photocopying and things like that. They then redistribute this money to us through the “Payback Scheme” – and
And Then The Prime Minister Hit Me – the new book from Brian Harris.
Veteran Fleet Street photographer and founder member of The BPPA Brian Harris has just published his long-awaited book “…and then the Prime Minister hit me”. You can follow the story of how the book came into being on Brian’s blog. When Brian Harris decided as a boy to give up his dream of being a newspaper cartoonist and instead
Sir Harold Evans – interview
The book Pictures on a Page by Sir Harold Evans is widely considered the definitive text on photojournalism, layout and picture editing. Voted the all-time greatest British newspaper editor by British journalists in 2001, Evans made his name at the Northern Echo and at the Sunday Times, which he was editing when he wrote Pictures on a Page in 1978.
The Darkroom Boy – 40 years on Fleet Street
A peek into life in the glory days of Press Photography from the perspective of Fleet Street legend Roger Allen. An auto-biography illustrated with fantastic photographs from around the world by the former Daily Mirror staffer, with tales to make you cry with laughter including the infamous John Major ‘mooning incident’ and stories from the war zones of The
Metropolitan Police Media Guidelines
There have been a number of versions of the media guidelines from many different police forces over the last dozen years. We have previously made the version developed with The BPPA, the NUJ and the CIoJ available on our website and, following the publication of an article quoting the Met’s guidelines verbatim in their in-house magazine “The Job” we are
The one on the left is a snapper…
On the left we have a Snapper, it’s a type of fish, on the right we have a photographer – please learn the difference. Would you like to demean everything I have achieved in my career with one word? Great! Then just call me a snapper – you won’t be the first or the last person to do it. With
Insurance and what to look for
Let’s start off by stating the obvious – professional photographers tend to own a lot of expensive gear. Most photographers have insurance for that expensive gear and one of the most common queries that you’ll see on discussion forums frequented by those professionals is about which insurer is the best/cheapest. Insurance is proof of two of life’s most enduring truths:
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