Every year The Design and Artists’ Copyright Society (DACS) distributes the fees paid by libraries and schools and so forth for copying copyright work – including photographs. Basically that means they licence secondary uses of your work that you couldn’t possibly deal with on a day to day basis – and you are entitled to a share of the income! There
Ok – now we have your attention. Every year DACS ( The Design and Artists Copyright Society) collects millions of pounds worth of royalties due for use of our photographs from libraries, universities and other organisations. It is payment for lending books, photocopying and things like that. They then redistribute this money to us through the “Payback Scheme” – and
Veteran Fleet Street photographer and founder member of The BPPA Brian Harris has just published his long-awaited book “…and then the Prime Minister hit me”. You can follow the story of how the book came into being on Brian’s blog. When Brian Harris decided as a boy to give up his dream of being a newspaper cartoonist and instead
The book Pictures on a Page by Sir Harold Evans is widely considered the definitive text on photojournalism, layout and picture editing. Voted the all-time greatest British newspaper editor by British journalists in 2001, Evans made his name at the Northern Echo and at the Sunday Times, which he was editing when he wrote Pictures on a Page in 1978.
A peek into life in the glory days of Press Photography from the perspective of Fleet Street legend Roger Allen. An auto-biography illustrated with fantastic photographs from around the world by the former Daily Mirror staffer, with tales to make you cry with laughter including the infamous John Major ‘mooning incident’ and stories from the war zones of The
There have been a number of versions of the media guidelines from many different police forces over the last dozen years. We have previously made the version developed with The BPPA, the NUJ and the CIoJ available on our website and, following the publication of an article quoting the Met’s guidelines verbatim in their in-house magazine “The Job” we are
On the left we have a Snapper, it’s a type of fish, on the right we have a photographer – please learn the difference. Would you like to demean everything I have achieved in my career with one word? Great! Then just call me a snapper – you won’t be the first or the last person to do it. With
Let’s start off by stating the obvious – professional photographers tend to own a lot of expensive gear. Most photographers have insurance for that expensive gear and one of the most common queries that you’ll see on discussion forums frequented by those professionals is about which insurer is the best/cheapest. Insurance is proof of two of life’s most enduring truths:
It goes without saying that the business is now unrecognisable from the one that I entered in the early 1990s. Then, the structure was relatively linear and there was a clear defining path to an editorial career. Now, every photographer has to be a brand and use social media to shout their wares and tout their abilities. It isn’t even
