A peek into life in the glory days of Press Photography from the perspective of Fleet Street legend Roger Allen. An auto-biography illustrated with fantastic photographs from around the world by the former Daily Mirror staffer, with tales to make you cry with laughter including the infamous John Major ‘mooning incident’ and stories from the war zones of The Balkans to really scary battles of
It has been a while since we ran a major project. At a recent meeting of The Association’s Board we decided that the upcoming UK General Election would be the perfect opportunity to right that wrong. We are inviting all members of The BPPA to get ready to submit photographs for this project which will start off as a web gallery and then, all being well, become
In this second part of his assessment of what is happening with DACS, Andrew Wiard explains why the current situation is not something that photographers should accept. “When I use a word,” Humpty Dumpty said, in rather a scornful tone, “it means just what I choose it to mean—neither more nor less.” Insisting on ALL secondary rights – does it really matter? Is it such a big deal? Yes it
In the first of a two-part blog post Andrew Wiard, a member of The BPPA’s Board, asks “What’s going on at DACS?” Last year we all had to sign a new agreement, and if we didn’t – no annual payout at Christmas. So, why? Short answer, because DACS is at the bottom of a collecting society food chain, and they are all fighting like rats in a sack.
There have been a number of versions of the media guidelines from many different police forces over the last dozen years. We have previously made the version developed with The BPPA, the NUJ and the CIoJ available on our website and, following the publication of an article quoting the Met’s guidelines verbatim in their in-house magazine “The Job” we are happy to re-publish them here. Of
When several photographers started getting letters from Hamish Dawson, Publishing Director of Time Inc.(UK) Ltd, Specialist Sport and Leisure with a new rights grab which asked them to agree to sign away all rights in any work that they carried out for the magazines and websites in the group we decided to write to him. Below is that letter and below that is his reply. We are
As if often the case in the era of multimedia news gathering I was recently despatched to Poland on a whirlwind visit to shoot stills and video. A British armoured Battlegroup have been taking part in war games with the Polish military entitled “Black Eagle” for several weeks and the press had been invited along to coincide with a visit by the Chief of the General
All change at the UKPCA – the UK Press Card Authority, where the BPPA is one of the card issuing gatekeepers. At today’s meeting they voted nemo contra for two fundamental reforms. The meeting faced two problems. First, Custom Card, who administer the card on behalf of the gatekeepers, had detected two duplicate applications for the card from one individual through two different gatekeepers using subtly
It goes without saying that the business is now unrecognisable from the one that I entered in the early 1990s. Then, the structure was relatively linear and there was a clear defining path to an editorial career. Now, every photographer has to be a brand and use social media to shout their wares and tout their abilities. It isn’t even clear what editorial or documentary photography
This is a re-posting from the British Photographic Council’s website. The BPPA is a member of the BPC and members of The BPPA’s Board have been deeply involved in the process so far. Government adopts “friendless, unnecessary, poorly explained and fraught with risk” new copyright legislation, against united opposition from the photographic sector. In all of the publicity over the impending introduction of new ‘Orphan Works’
