An open letter to the Premier League

The BPPA represents the interests of over 400 full-time press photographers, many of them working in sport as freelancers. To that end, we have written to The Premier League to highlight the impact on our members should plans go ahead to severely limit the number of photographers at stadia when football returns.

The BPPA has offered suggestions on Project Restart match coverage with health and safety at the forefront of consideration, which would help both increase the coverage of the Premier League as well as help photographers recover from the crisis.

The BPPA urges the Premier League not to use one photographic media source exclusively, as not only would it severely affect the variety and richness of coverage in our national game it would also adversely affect many members of The BPPA’s and the wider freelance community whose income is totally reliant on football. The BPPA wrote to the Premier League last Monday and are still awaiting a response to this concerning issue for the sporting media community.

With this in mind The BPPA has joined with other organisations who want to be involved in Project Restart in this common goal and welcome further dialogue with The Premier League as a matter of urgency.

A Statement from The BPPA on the role of press photographers during crisis.

During any crisis, up to date trustworthy and impartial news is vital to all governments and authorities worldwide in communicating important advice and information to their populations.

The role of newsgathering falls upon the respective countries’ local, regional, national and the international media. Made up of photographers, reporters, broadcast reporters, camera operators and news crews working tirelessly out in the field supported by a plethora of editors, researchers and production staff covering the events and breaking news on a 24/7 basis.

Without these accredited mainstream media organisations operating, providing the public with vital and timely information in such crises, gossip and misinformation spread quickly, causing panic and potentially life-threatening situations with an added burden on the country’s already struggling authorities.

The UK government recognise the vital role that the press play in their battle against the Coronavirus pandemic and as such, awarded them the status of keyworker, along with other essential services seen to be imperative in the fight. Be it transport, utility, education, healthcare, local/national government and public services -the media, they each have their unique role to play.

Research conducted by The BPPA on interactions between bona fide press photographers and the general public during their coverage of the COVID-19 crisis revealed some very disturbing results in a number of regions across the UK, where photographers reported being threatened with violence, physically assaulted, trolled on social media, death threats, incitement to attack, even being spat at by members of the public whilst working on Coronavirus-related assignments.

This is absolutely despicable behaviour. It is completely unacceptable by any means and at any time and should not be tolerated by any member of the press. These are criminal offences and The BPPA strongly advise any of our members or any non-member to report such incidents to the authorities immediately.

No person, keyworker or other, should go to work with the fear of physical attack or abuse. Press photographers do not have the luxury of reporting from home, they have to be out in the field seeing and communicating what is in front of them and do this with a variety of camera equipment, be that with wide angle, standard or telephoto lenses. The misconception that telephoto lenses in some way give a distorted and more crowded view of a scene is as bizarre as it is ill-informed.

If you should happen to see a press photographer out on assignment during the current crisis and you are curious, please do not be afraid to ask for their credentials and have a chat (while observing social distancing advice please), we’re human like everyone else, with families and loved ones who are just as eager for life to return to normal as you.

Important notice for members of The BPPA

Whilst the world is experiencing turbulent times due to the Covid 19 pandemic The BPPA will try to offer as much support and advice to our members as we can.

At a specially convened Board Meeting there was a unanimous vote to offer all members the option of taking a payment holiday from their membership subscriptions for an initial period of three months.

We don’t want anyone to think that they have to give up their membership of the association just because their work has dried up and their income has been drastically reduced.

If you are experiencing, or are about to experience, any financial hardship because of the pandemic then please email [email protected] and we will suspend your payments whilst leaving your membership status as “paid” so that you can still make use of any and all membership benefits.

Best wishes
The BPPA Board

Downing Street and the curtailment of press freedom

Photo: © Lindsey Parnaby


The British Press Photographers’ Association objects to any and all attempts by Government to exclude photographers, reporters and television from events where there is a reasonable expectation from the public that those events would be covered by independent witnesses on their behalf. 

Restricting access and replacing independent coverage with free images, copy and footage from special advisers, Government employees and heavily vetted individuals is wrong and represents a serious assault on our free media. Once any organisation and especially the Government has full control of the news and how it is reported then the perception of accuracy, trust and accountability will all suffer and democracy will be the ultimate casualty.

We ask that any and all plans to limit and eliminate the access of the news media to Government events be scrapped and that the system that guarantees the access of journalists becomes a bedrock of the relationship between the Government and the people of this country.

(Photo ©Lindsey Parnaby)

Sally Soames 1937-2019

Sally Soames and fellow members of The Press Photographers Association (which became The BPPA) at their first London exhibition at The Barbican. Photo ©Brian Harris.

Sally Soames who worked as a photographer for The Sunday Times for more than three decades died aged 82 at her home in north London on the 5th of October 2019.

Sally, like many of her generation had no formal training as a photographer, starting out by winning a photography competition run by a London evening paper. She was noticed by the Observer where she contributed work during the 1960’s before being taken onto the Sunday Times before the decade was out. She stayed on her beloved paper for more than 32 years working for esteemed editor Harry Evans and design maestro Edwin Taylor, reluctantly retiring due to problems with her knees and as black and white analogue film photography gave way to colour and subsequently digital image making.

Sally told me in the early 90’s that she was scouring London and buying up all the Nikon FM2 film cameras that she could find once she had been told that her favourite camera wasn’t going to be made anymore. I don’t think Sally and modern digital technology would have got on together, so a good time to call it a day.

Sally was a pure image maker, the eyes were everything, get the eyes sharp and you will have your reader, she said to me once. She would talk her subject into submission if he or she proved to be reluctant to have their photograph taken. She charmed and cajoled, often writing to her subject in advance of the photography session as well as reading their work if an author, or watching their films or plays if an actor. She saw herself and her work as the equal of the writer and the written word when covering an interview, not for Sally the three minute photo-op session dictated by a hovering PR, which is now seen to be the norm, Sally demanded and got as much time as she needed to produce her work.

Although Sally did specialise in portrait work for the paper, producing some of the most eye catching imagery to grace the pages of any newspaper in the land she was also a dab hand on the political scene. I personally worked alongside her on many occasions, Sally on the ST and myself on The Times at many a political conference during the 70’s through the 80’s. I was always surprised to see her visual summation of the week in her paper, normally a quiet reflective moment caught without fuss, just a fine quality image that would make you think a while.

I also worked alongside Sally in Israel whilst covering a general election in June 1981 featuring Menachem Begin and Moshe Dyan, both of whom she had entré to with one phone call. Her portrait of General Dyan on the Golan Heights ranks, IMHO, as one of her finest images. She introduced me around to those that mattered and arranged passes and some access to this then relative green horn, but that was just so typical of Sally, she would help just about anyone but especially new guys and gals on the block…there is a long line of news photographers working now who all owe Sally a great debt of personal gratitude, myself included.

 She had a heart felt affinity with Israel, being born Jewish (born Winkleman), and when based there during the Yom Kippur War between Israel and a coalition of Arab States led by Egypt and Syria in October 1973 she was recalled by Kelvin Brodie her Sunday Times picture editor (and a former top flight news photographer) as it was deemed by the ST management as being too dangerous for Sally to stay after the death of ST correspondent Nick Tomalin. The group of Arab commandos who stormed the beach outside her Tel Aviv beach front hotel made the point more emphatically. She returned to Israel a week later to cover the km101 peace talks.

Sally may have been slight of frame and stature but she was strong and a fighter…Sally never ever gave up, she always found a way to achieve what she wanted, with a gushing smile, a hand hold, a squeeze and it must be said a fair bit of feminine schmoozing…Sally really was one of those unique individuals who was a friend to many, a mentor to many more and a bloody good photographer…oh, and a really nice woman. RIP Sally.

Brian Harris © 2019

Women in Photojournalism

Protesters clash with police at the Barton Moss fracking site, Manchester. Photo: Lynne Cameron/PA.

When the association was mentioned in an open letter talking about Gender in Photojournalism The BPPA’s Vice Chair Lynne Cameron said in her response that “The Board of The BPPA welcomes constructive input from anyone who wants to help to promote and inspire great photography. If you have ideas on what more can be done on the issues raised then please get in contact with me or any of the other members of our Board.”

We are very happy to report that we have received notification of two things that are happening that will make a positive contribution to women in particular and diversity in general in photojournalism.

FotoDocument.org have announced the launch of their 2019 Women’s FotoReportage Award in honour of Marilyn Stafford. This year’s award will be supported for the first time by Nikon. You can read the press release below or you can visit their website here.

Photo Forum are hosting a panel discussion on the subject of diversity in photography chaired by Helen Healy, Head of Pictures at the Financial Times with photographers Anna Gordon, Suzanne Plunkett and Chin We. The venue is theprintspace, 74 Kingsland Road, London, E2 8DL on Tuesday 8th October 2019 and the start time is 7:00pm. You can read more here on the Photo Forum website

The FotoReportage Award press release says:

£2000 will be granted to a professional woman photographer towards the completion of a compelling and cohesive documentary photo essay which addresses an important social, environmental, economic or cultural issue, whether local or global.

The work should, in part, showcase positive solutions to any issues it raises in order to contribute to constructive photojournalism, in line with the wishes of Marilyn Stafford and the aims of FotoDocument. The Award is reserved solely for documentary photographers working on projects which are intended to make the world a better place and which may be unreported/under-reported.

Women from any stage of their careers are welcome to apply, whether emerging, mid-career or established. They must already have started the photo essay for which they are seeking funding and be able to show work in progress. In addition, they must have already completed at least one other documentary photo essay to demonstrate track record prior to applying for funding. Entrants must be over 18, they may be any nationality and based anywhere in the world. It is free to submit.

Submissions will be reviewed by panel including: Rebecca Conway – 2017 FotoAward winner, Nina Emett – Director of FotoDocument, Rebecca Newton – PR & Social Media Manager Nikon and Marilyn Stafford herself among others.

One overall winner will receive The Marilyn Stafford FotoReportage Award of £2000 towards the completion of their project.

The final work will feature on the FotoDocument and Nikon websites and will be publicised via social media.

Partners will collectively endeavour to gain coverage for the final work in the international media, without any guarantee of this outcome.

Short-listed applicants will have at least one of their images profiled on the FotoDocument and Nikon websites and publicised via social media.

There will be a screening of the 2019 FotoAward winner’s work at the launch of the Marilyn Stafford FotoReportage Award 2020 to celebrate International Women’s Day on 10 March 2020 at the Nikon School in central London.

Submissions close at 5pm on 15 November 2019.


BPPA Response to Pride in London

This year, Press Photographers that applied for accreditation to photograph the Pride In London parade and celebrations received the following email:

Changes to accreditation in 2019:

Pride in London have been working with our agency partners to review the security arrangements for Pride in London 2019. We’ve made a number of changes to the parade route which will enable us to make the parade more secure. This includes significantly reducing the numbers of people with access to the route itself.

Your media wristband gives you priority fast track access to the public areas at the stages. It does not give backstage access
There is no access inside the parade barriers along the parade route or to the form up area.”

This is a change over previous years. We have sent the following letter in response:

‘Dear Pride London,

The BPPA would like to raise our grave concerns regarding Pride London’s proposed plans to severely impede media access to this year’s parade.

Photographers are accredited to the parade but not allowed to photograph the parade itself from start to finish.

We cannot see the sense in this. With an estimated one million attendees, this would be considered a major news event and very worthy of extensive coverage by all national and international media organisations and barring access will inhibit global coverage and ultimately, interest in the annual Pride event.

Moreover a parade which promotes freedom of the individual and freedom of expression should not be restricting the freedom of the press.

Finally we cannot see there is any necessity to alter previous year’s arrangements in this way.

We, The BPPA therefore urge you to reconsider before the event and look forward to hearing from you as soon as possible. Thank you.’

​UPDATE FROM PRIDE LONDON
​Press that have requested accreditation should have recived an updated email that includes the following information:

Following a letter from the BPPA and listening to the concerns we have reviewed our decisions and have confirmed an approach that ensures Pride is open for all, while ensuring the event stays safe and secure.

As such, we are pleased to confirm that you have been approved for:

1 pass(es)

This wristband gives you access to parade form up and along the parade route if you are carrying a professional camera.

As you may have noted in the media pack, there is no front of parade photocall this year. We will also have an area for photos near Piccadilly Circus and our team can advise on its location tomorrow should you want a fixed spot to photograph from.

We followed this up, writing to Pride London to confirm the position and received the following:

“Dear BPPA,

Thank you for your e-mail. I can confirm this is correct.

This year we revised our media accreditation process because of its impact on the speed and security of the parade. Not an easy decision but it is an operational choice based on ensuring 30,000 people can pass through London safely and securely.

Following your letter we urgently reviewed our decision with our production partner to see what possibilities there are. We have been contacting people directly who are impacted.

As the third largest event in London we try our best to accommodate the complexities of organising 30,000 people through the streets and it was never our intention to inhibit coverage and deny freedom of expression. I wanted to thank you and the BPPA for bringing this to our attention, and I hope this resolves the matter.

Pride in London

We would like to thank Pride in London for listening to all the organisations that voiced concerns and for changing your policy.

We wish everyone a Happy Pride 🌈

An open response to a recent social media post about gender in press photography

The BPPA has come in for some criticism from a group called Women Photographers of the UK about what they refer to as the uneven representation of women in the current Assignments 2019 exhibition. You can read their open letter here on Medium. This is a response from Lynne Cameron, Vice Chair of The BPPA.
 
Dear Suzanne, Anna and Susannah
 
We would like to reassure those expressing concerns about the representation of women in our industry that we are very aware of the issues and are currently working on projects to support and help current and future female members of the organisation. We were disappointed that these concerns were not directed to The BPPA in the first instance as we welcome all constructive criticism. It is one of our core values to work transparently with all parties in any matter related to photography.
 
The issue of gender imbalance is a complex one, not just related to photography but to wider society.
 
The association is proactively working to improve such imbalances. As an example The BPPA elected me as Vice Chair and Julie Edwards as our Social Media and Website Editor at last year’s AGM. We are both long-standing professional photographers who have first hand experience of gender related issues within our industry. Julie and I are bringing our experiences, energy and ideas to The Board and welcome further positive constructive comments which could help address this wider topic.
 
In relation to the exhibition (it is not a competition) we would like to reassure those concerned that images were curated by highly regarded members of the profession who were deliberately not given any information about the name or gender of the photographers in order to make the selection process ‘about the images’ as far as is humanly possible.
 
We are extremely proud of Assignments – an exhibition designed to promote and highlight the amazing work that is being produced by our members.
 
The Board of The BPPA welcomes constructive input from anyone who wants to help to promote and inspire great photography. If you have ideas on what more can be done on the issues raised then please get in contact with me or any of the other members of our Board.
 
Lynne Cameron
 
Vice Chair, The BPPA
 
 
 
Statistics:
 
1. The BPPA has 321 paid-up members of whom 40 are women – which is approximately 12.46%.
2. 16 photographers joined or rejoined in order to take part in Assignments 2019 of whom 25% were women.
3. 161 photographers entered photographs for Assignments 2019 of whom 18 were women – 11.2%
4. 1,351 photographs were entered of which 148 were entered by women – 10.95%
5. 110 photographs were selected for exhibition of which 10 were by women – 9.3%

EU Copyright Directive to be debated in European Parliament

Tomorrow (26th March 2019) MEPs will vote on a controversial EU directive to copyright work used on the web. It sets terms and conditions for others to reuse content (posted by people like us) commercially.
The battle has been between the tech giants, whose business model is all about reusing other’s intellectual property without license or renumeration, and us ‘the creative community’.
Scares have included that ‘readers will be unable to share links’ (wrong) or ‘Wikipedia will collapse’ (nonsense). Many of us have had content stolen by others to market their photographic services from our clients’ own media sites, and now Publishers’ Right (Article II) in the directive will allow us to chase our payment, which should stop many thefts. It should allow a revenue stream that before was tricky to say the least.
As Angela Mills Wade, the director of the European Publishers Council is quoted, “a vote for the directive will be a vote for fairness, for culture, for creativity, and crucially, for the future of Europe’s professional, diverse independent press.”